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A Foreign Affair
Billy Wilder has a filmography like none other. Between the mid-forties and early 60s, he directed such classics as Double Indemnity, The Lost Weekend, Sunset Boulevard, The Seven Year Itch, Witness For the Prosecution, Some Like it Hot, and The Apartment. Born 1906 in a small town near Vienna, Wilder spent eight years as a
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Official Competition
Argentine directing duo Gaston Duprat and Mariano Cohn brings together two of Spain’s most famous actors: Penelope Cruz (Best Supporting Actress Oscar winner for Woody Allen’s Vicki Cristina Barcelona), plays indie darling director Lola Cuevas; Pedro Almodovar’s ‘male muse’, Antonio Banderas (Cannes Best Actor winner for Pain and Glory) the film star Felix Rivero. While
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The Taste of Tea
The Taste of Tea has been referred to as a psychedelic version of Ingmar Bergman’s Fanny and Alexander, but this is to undersell the humour and warmth of Katsuhito Ishii’s tale of three generations of the Haruno family. There is no oppressive religion and little angst beyond the growing pains of the children, Sachiko and
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Blind Ambition
An audience favourite at festivals, Blind Ambition ticks all the boxes for a feelgood underdog documentary, but the film’s popularity rests on more than dramatic clichés and familiar tropes about competitive spirit. It reflects a multi-faceted tale of refugees, urban violence and the eurocentrism of tasting (e.g. requiring a familiarity with strawberries), as much as
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Hit The Road
Debut writer/director Panah Panahi is inevitably described as ‘the son of Jafar Panahi’; he has acknowledged that fear of being compared to his famous father “completely paralysed me for years”. Jafar learned his craft working as the assistant of celebrated Iranian auteur Abbas Kiarostami – Panah remembers learning as a child from both filmmakers, “sitting
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Benediction
A non-conventional film biography of the poet Siegfried Sassoon (Jack Lowden), Benediction spans three distinct eras: the horror and waste of World War I, and the poetry it gave rise to; the interwar years of “gay” society (and covert homosexuality); and finally the 1960s, where we see the elderly poet, played by Peter Capaldi, attempt
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The Quiet Girl
The debut feature film from the Irish documentary maker Colm Bairéad has earned plaudits both in Ireland and abroard, culminating in its nomination for the 2023 Academy Awards (Best International Film category). Bairéad both wrote the screenplay, based on the 2010 English-language novella Foster by Irish writer Claire Keegan, and directed the film, and his
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The Doo Dah Man
The film features some of the classic tropes of American cinema, most obviously from the road-trip movie and the ill-assorted buddy movie, but this familiarity belies a more substantial story about fathers and sons, as well as a deeper literary tradition that goes back to Mark Twain’s Huckleberry Finn. A young man, Jake (Brittain), leaves
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The Banshees of Inisherin
The setting of the film is obviously meant to represent a larger canvas. Inisherin literally translates as Island of Ireland. But this may be just one of many misdirections by Martin McDonagh who gleefully toys with the tropes of Irish history. Far from being a parable about the distantly-heard Civil War, this is a more
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El Sur
Victor Erice is little known outside Spain despite the plaudits earned by his 1973 debut, The Spirit of the Beehive. In part this is because he has only made 3 feature-length films. El Sur was his follow-up, and arguably his masterpiece, though the finished film is only half of what he planned, the producers having
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