Season: 2017-18

  • Neruda

    Inventive constructed biopic – part fiction, part fantasy – of the Nobel prize-winning Chilean poet, Pablo Neruda, from director Pablo Larrain (Jackie, No, The Club).

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  • Loving

    WFC marks Black History Month with this Oscar-nominated historical drama set during the American Civil Rights era, depicting the relationship of Richard and Mildred Loving and their landmark legal challenge to the State of Virginia’s prohibition of inter-racial marriage.

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  • The Mafia Kills Only in Summer

    Putting an irreverent rom-com spin on the organized crime genre, this deceptively sunny rites-of-passage drama marks the big-screen debut of Pierfrancesco “Pif” Diliberto (b.

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  • The Salesman

    Renowned Iranian writer/director Asghar Farhadi’s films depict dramas in the lives of ordinary people that present a microcosm of modern Iran and its complexities, particularly in regard to class and gender, with middle-class marriage his signature theme.

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  • My Cousin Rachel

    Based on the famous 1951 novel by Daphne du Maurier (Rebecca, The Birds, Jamaica Inn), My Cousin Rachel tells the story of a young Englishman (Hunger Games’ Sam Claflin) who becomes involved with his older cousin’s widow, played by Rachel Weisz (who won an Oscar for her role in The Constant Gardener).

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  • 20th Century Women

    With a superlative cast like this in the hands of Mills (Beginners, Beautiful Losers) such a sensitive nurturing director, nothing could go wrong.

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  • The Glass Key

    Renowned crime novelist Dashiell Hammett’s tale of big-city political corruption The Glass Key was originally filmed in 1935, starring George Raft.

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  • My Pure Land

    British-Pakistani director Sarmad Masud’s assured debut feature tells the fascinating true story of Nazo Dharejo (Suhaee Abro), a young woman who fought to save her home in Pakistan from bandits.

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  • A Man Called Ove

    Stepping out of Fredrik Backman’s bestselling novel (Swedish, 2012), Ove is the quintessential neighbourhood grouch.

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  • The Florida Project

    A double entendre, the title alludes to Walt Disney’s utopian plan to build The Florida Project, an “Experimental Prototype Community of Tomorrow” – subverted after his death, with vestiges incorporated in the lucrative Walt Disney World.

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