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God’s Own Country
Seen by reviewers as one of the most exciting directorial debuts of the last ten years, the impact of this story comes not only from the fact that it’s about gay love, but from the beautifully observed growth of a relationship between the son of a Yorkshire farmer and a Romanian farm-worker.
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If….
British classic If.
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Phantom Thread
Daniel Day-Lewis doesn’t make many films, when he does you know it’s going to be special.
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In the Heat of the Night
It’s the 1960s, an African-American detective (Poitier) from Philadelphia becomes reluctantly involved in a murder investigation in a small Mississippi town where the racial tension is almost palpable.
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Frantz
A change of tone again from prolific director Ozon, (Potiche, 8 Women, Swimming Pool) this time a romantic mystery with a plot that twists and turns like a slinky.
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In the Fade
Akin brings us an important film giving focus to the impact of xenophobia rather than the much-charted rise of extremist views in western countries, in this case Germany.
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Son of the Bride
This Argentinian comedy-drama has a stellar pedigree – an Oscar-winning director (Campanella won for thriller The Secret of their Eyes, also shown by WFC) and a cast of some of the most celebrated actors of their generation.
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Pin Cushion
There are excellent reasons for making a firm date for Pin Cushion: it’s a breakthrough film for director Deborah Haywood; Lily Newmark proves her star potential plus it’s an excoriating dissection of social exclusion among adults and teenagers alike – relevant, funny and unsettling.
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Tampopo
A lone truckdriver Goro (Yamazaki) arrives in a small town and stops for noodles.
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Film Stars Don’t Die in Liverpool
Touching biopic of Oscar-winning Gloria Grahame (Bening) and her relationship with Peter Turner (Bell), a struggling actor 28 years her junior.










