Season: 2019-20

  • Vita and Virginia

    Fascinating period drama/biopic from director Chanya Button (Burn,Burn,Burn) that brings a modern sensibility and excellent soundtrack to the relationship between aristocrat and author Vita Sackville-West (the versatile Gemma Arterton, Their Finest, Gemma Bovery) and literary icon Virginia Woolf (Elizabeth Debicki, hotfoot from Widows). The film charts the relationship’s impact on Woolf’s landmark work Orlando. Drawing

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  • Booksmart

    Director Olivia Wilde’s debut feature film is a charming comedy that’s winning critical praise from top reviewers. On the eve of their high school graduation, two academic achievers and best girlfriends realise they should have worked less & played more. They decide to make up for lost time. On this slight premise Wilde builds a

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  • Closely Watched Trains

    Oscar-winning comedy-drama from Czech New Wave director and actor Jirí Menzel (Larks on a String, I served the King of England). Set in German-occupied Czechoslovakia during WWII, a shy clerk at a village train station fails in his first attempt at making-love, leaving him feeling inadequate and despondent, but eventually succeeds beyond his or anyone’s

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  • Lemony Snicket’s A Series of Unfortunate Events

    Lockdown is suddenly upon us, so the WFC is initiating a home cinema season, with viewings proposed on Tuesday evenings, followed by discussions on the WFC Facebook page. We are kicking off with a film sure to raise spirits. Three children are orphaned when their house burns down under mysterious circumstances, with their parents in

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  • Saturday Night and Sunday Morning

    Nottingham writer Alan Sillitoe’s adaptation of his own novel is widely considered to be the most convincing of the British ‘angry young men’ dramas of the late Fifties/early Sixties. Middle-class Czech émigré and former documentary-maker Karel Reisz, directing his debut feature film on location in Nottingham and at Twickenham Studios, created an authentic atmosphere for

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  • Transit

    Transit is based on a 1944 novel by German-Jewish writer Anna Seghers, who draws on her own experience as a refugee. Petzold situates the drama in an historically indeterminate moment, superimposing past and present. There are no period trappings; the opening sirens could be sounding today, and the soldiers storming Paris look like contemporary French

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  • The Ritual

    Four thirty-something university friends reunite for a hiking trip through the forests of north Sweden. Adapted by Joe Barton from the 2011 award-winning novel of the same name by British author Adam Nevill, this indy chiller is the first solo directing feature from American director David Bruckner. It stars Rafe Spall (son of Timothy), whose

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  • Portrait of a Lady on Fire

    This classical yet radical romantic period drama set shortly before the French Revolution is the fourth feature from 40 year old French auteur Celine Sciamma, who has described it as a “manifesto on the female gaze”. Sciamma has described the film’s title as deliberately evoking the work of a writer she loves, Henry James, “who

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  • My Life as a Courgette

    A neglected 9-year-old boy lands in a rural home for orphans, where he finds that everyone has a personal story to rival his own. Written in episodic monologue, Gilles Paris’ novel Autobiography of a Courgette (2002) is retold in a “stop motion” film that captivated audiences around the world. Trained in illustration and computer graphics,

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  • So Long, My Son

    China’s recent history – from the lingering sting of the Cultural Revolution and the draconian one-child policy (in effect 1979-2013) to the dramatic shifts in social structures as the country careened toward a market economy – is explored through an intimate focus on two families, exposing the human cost and personal hurt tempered by compassion,

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