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The Worst Person in the World
Norway isn’t generally associated with romantic comedies, and the fact that the film features some genuinely upsetting moments for its characters might belie the categorisation, but Joachim Trier’s film delivers on the genre promise due to a sparkling performance by Renate Reinsve as Julie (echoes here of Strindberg’s Miss Julie), a character that at times…
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The Harder They Come
The subsequent role of the film in the popularisation of reggae has detracted from the fact that it’s actually an entertaining crime thriller whose appeal owed much to its social authenticity, notably the use of patois, which gave the film the sense of a national conversation about poverty and opportunity a decade after the early…
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Parallel Mothers
In keeping with Pedro Almodovar’s more recent work, notably Julieta (2016) and Pain and Glory (2019), this is a film about the weight of the past and the need for forgiveness.
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Compartment No. 6
In the tradition of train films, which adds huit clos to the direction and serendipity of the road trip genre, Russian train films form class apart: claustrophobic quarters shared with a medley of imposed companions within; monotonous, unwelcoming taiga without; the tedious stasis of the long journey unalleviated by surly staff and bad food.
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Wild Men
Danish cinema is having a moment.
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Riders of Justice
A revenge thriller that combines deadpan humour and violence will inevitably evoke the Coen brothers, while the dynamic of a scarred older man and a young girl on a revenge mission has its precursors in films such as Kiss-Ass and Léon (that the young girl is also called Mathilde is surely no coincidence in a…
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A Foreign Affair
Billy Wilder has a filmography like none other.
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Official Competition
Argentine directing duo Gaston Duprat and Mariano Cohn brings together two of Spain’s most famous actors: Penelope Cruz (Best Supporting Actress Oscar winner for Woody Allen’s Vicki Cristina Barcelona), plays indie darling director Lola Cuevas; Pedro Almodovar’s ‘male muse’, Antonio Banderas (Cannes Best Actor winner for Pain and Glory) the film star Felix Rivero.
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The Taste of Tea
The Taste of Tea has been referred to as a psychedelic version of Ingmar Bergman’s Fanny and Alexander, but this is to undersell the humour and warmth of Katsuhito Ishii’s tale of three generations of the Haruno family.
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Blind Ambition
An audience favourite at festivals, Blind Ambition ticks all the boxes for a feelgood underdog documentary, but the film’s popularity rests on more than dramatic clichés and familiar tropes about competitive spirit.
wimbledon film club
Season: 2022-23
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