Classification: 15

  • Mustang

    In a remote Turkish village five teenage sisters react to the growing constraints placed upon them by their guardians. Villagers gossip, marriages are arranged and the sisters’ voices remain unheard. Poignant examination of the place of young women in rural Turkish society, the strength of sisterly love and what it takes to rebel. Oscar nomination,

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  • Le Week-End

    A couple spend a weekend in Paris to celebrate their 30th wedding anniversary. Their relationship is flagging and they hope to rekindle it. Will the Parisian experience have the desired effect? ‘This is a beautifully executed, fearlessly truthful and droll film on the emotional politics of reinvention.’ The Telegraph

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  • Maggie’s Plan

    Maggie plans her life meticulously, manipulating others to get what she wants. She’s determined to have a baby engaging the services of a surrogate mother. Her plans go awry when she falls in love with a married man and wrecks his marriage.  Julianne Moore steals the show as the eccentric wife – Moore as brilliant

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  • Son of Saul

    At several camps the Nazis established units of Jewish male prisoners (sonderkommandos) picked for their youth and relative health. Those at Auschwitz-Birkenau lived in better physical conditions than other inmates and were divided into different groups, each with specialised functions including greeting new arrivals to the camp; sorting their suitcases and packages for shipping to

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  • Victim

    While a few recent films had touched on the issue obliquely or through a historical setting (e.g. The Trials of Oscar Wilde), Victim stood out as a contemporary drama focusing unambiguously and sympathetically on homosexuality. Star Dirk Bogarde recalled in his biography “countless letters of gratitude flooding in” from gay men after the film’s release.

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  • Only Lovers Left Alive

    Jim Jarmusch’s Only Lovers Left Alive was nominated for Palme d’Or but won the Soundtrack Award. The film is full of music from different centuries, much of it performed by Jarmusch’s own band, SQÜRL. It spans from Paganini to Wanda Jackson and the Lebanese singer Yasmine Hamdan. Equally, the sources of the music also vary

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  • The New Man

    In this creative documentary (funded by the Wellcome Trust) director Josh Appignanesi and his partner, academic and author Dr Devorah Baum, turn the camera on themselves. The film charts from both the female and male point of view the impact of IVF treatment, pregnancy and new parenthood on their lives.  Josh came to the WFC

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  • Gueros

    This feisty Mexican comedy-drama, filmed in black and white on a micro-budget, is the debut feature from director Alonso Ruizpalacios. Mexican movie star Gael Garcia Bernal (who played Che Guevara in one of the WFC’s earliest features, Motorcycle Diaries) is associate producer. Ruizpalacios was born in 1978 and studied stage directing in Mexico City before

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  • Neruda

    Inventive constructed biopic – part fiction, part fantasy – of the Nobel prize-winning Chilean poet, Pablo Neruda, from director Pablo Larrain (Jackie, No, The Club). A fictional inspector played by Mexican actor Gael Garcia Bernal (star of previous WFC films Motorcycle Diaries and Even the Rain) is caught in a cat and mouse thriller in

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  • The Mafia Kills Only in Summer

    Putting an irreverent rom-com spin on the organized crime genre, this deceptively sunny rites-of-passage drama marks the big-screen debut of Pierfrancesco “Pif” Diliberto (b. 1972), best known in Italy as a television host and current-affairs satirist. Taking its title from one of the myths that the film’s young hero is taught to believe, The Mafia

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