Classification: 15

  • Let The Right One In

    Oskar (Hedebrant) is a 12 year old loner, bullied at school he is full of suppressed rage. Eli moves in next door – she’s a bit of a misfit too and they become friends. She encourages Oskar to stand up to the bullies. As the two young people find solace in each other Oskar begins

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  • Chromophobia

    In this start-studded film, interweaving stories of rich and privileged people in Blairite Britain, where anything can be bought and sold, combine to form a dark drama of dilemmas of responsibility, corruption and exploitation. Investigative journalist (Ben Chaplin) chances upon a career-making story of his lawyer friend’s (Damian Lewis) corruption. Will he tell And what

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  • Katyn

    In this important film, Wajda, at the age of 82, offers in a starkly accessible way the truth of what happened in the Katyn Forest in 1940 when 15,000 to 22,000 Polish officers were rounded up and shot by the Russian KGB. One of the men murdered that day was Jakub Wajda, Andrzej Wajda’s father.

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  • The Good the Bad the Weird

    Set in 1930s Manchuria, three rival Korean adventurers vie with each other for possession of a treasure map promising vast fortune. And that, in fact, is all you need to remember in a plot full of twists and turns, involving many other factions in the chase including local criminal organisations, the Japanese Army and Chinese

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  • Milk

    Milk is one of those rare films that remains entirely gripping even though the audience knows the outcome before they enter the cinema. From the opening scenes of archival footage of police raids of gay bars we know this is going to be a serious and moving film. Penn’s astonishing Oscar-winning, nuanced portrayal of Harvey

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  • The White Ribbon

    Unsettling incidents take place in a small village in north Germany before World War I. The events are characterised by increasing violence and the community wonders about the identity of the perpetrators and their motivation. The village is no different from other communities in the rigid society of the period, nor is its puritanical approach

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  • Katalin Varga

    A woman, Katalin, (Hilda Peter), is driven from her home by her husband when he finds out the child they have brought up is not his. Together mother and son travel across Romania by horse and cart, staying in the cheapest accommodation, making their way to the Hungarian-speaking part of the country and finally to

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  • Mad Sad & Bad

    This black comedy about a truly dysfunctional middle class British Asian family unfolds through a series of flashbacks. The film builds a story of a mothers three troubled children who have bad relationships with each other and mad, sad or bad relationships with other people in their lives. Whether its psychiatrist and sex-addict Hardeep (Vara),

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  • Equus

    This psychological drama, adapted for the screen by Peter Schaffer from his own stage- play, concerns the psychiatric treatment of Alan Strang (Peter Firth) a stable boy arrested for blinding six horses with a metal spike. A psychiatrist, Dysart (Richard Burton), is charged with unravelling the reasons for the violent act and fruitfully explores the

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  • Samson & Delilah

    Warwick Thornton’s compelling drama/romance of two Aboriginal teenagers concerns Samson (McNamara) and Delilah (Gibson) as they escape the despair and violence of a dead end shanty settlement in the middle of the Australian desert for a better life. The gruelling journey to Adelaide demonstrates that getting a break will not come easily. Shocking experiences verify

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