Classification: 18

  • In the Fade

    Akin brings us an important film giving focus to the impact of xenophobia rather than the much-charted rise of extremist views in western countries, in this case Germany. In the Fade has three distinct parts, first, a terrorist attack and the effect on a woman, Katja (Kruger); the second charts the woman’s pursuit of justice

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  • Get Carter

    A low-budget, British crime thriller that has become a cult classic.

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  • For Sama

    Waad Al-Kateab started filming as a “citizen journalist” for Channel 4 News and won awards for her contribution to the series “Inside Aleppo.” (online at http://www.insidealeppo.com/ ) The 21-year old economics student first used a mobile phone, graduated to a camera and occasionally borrowed a drone. Friends’ amusement at her preoccupation changed when one of

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  • Drive

    Accounts differ over how they came to collaborate on Drive, but Refn and Gosling both describe their close relationship as “telekinetic.” Their greatest difference is that Refn can’t drive. Most of the film is shot with wide-angle lenses. “I want you to see what’s behind the actor, what’s going on behind the character action,” says

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  • Paris, 13th District

    Émilie meets Camille, who is attracted to Nora, who crosses paths with Amber … while they all try to figure out what to do with their lives.

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  • Holy Spider

    Zar Amir Ebrahimi won Best Actress at Cannes for her role as an investigative journalist going undercover to track down a killer.

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  • The Damned Don’t Cry

    A rootless mother and teenage son struggle to get by in an inhospitable society, drifting from one Moroccan town to another, bound by a shameful secret and forced by circumstance into selling themselves.

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