Language: English

  • Sometimes Always Never

    Bill Nighy stars as an eccentric ex-tailor searching for his estranged son. The theme is strained relationships, but enacted through the British fondness for slightly absurd rituals of conflict, here in the form of high-stakes Scrabble.

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  • Boiling Point

    It’s the busiest night of the year at a trendy London restaurant, and disaster is looming. The pressure rises, as the charismatic head chef scrambles to salvage the situation.

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  • After Love

    After Love is essentially a chamber piece about grief that has been expanded out across boundaries both literal and figurative.

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  • The Harder They Come

    The subsequent role of the film in the popularisation of reggae has detracted from the fact that it’s actually an entertaining crime thriller whose appeal owed much to its social authenticity, notably the use of patois, which gave the film the sense of a national conversation about poverty and opportunity a decade after the early

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  • A Foreign Affair

    Billy Wilder has a filmography like none other. Between the mid-forties and early 60s, he directed such classics as Double Indemnity, The Lost Weekend, Sunset Boulevard, The Seven Year Itch, Witness For the Prosecution, Some Like it Hot, and The Apartment. Born 1906 in a small town near Vienna, Wilder spent eight years as a

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  • Blind Ambition

    An audience favourite at festivals, Blind Ambition ticks all the boxes for a feelgood underdog documentary, but the film’s popularity rests on more than dramatic clichés and familiar tropes about competitive spirit. It reflects a multi-faceted tale of refugees, urban violence and the eurocentrism of tasting (e.g. requiring a familiarity with strawberries), as much as

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  • Benediction

    A non-conventional film biography of the poet Siegfried Sassoon (Jack Lowden), Benediction spans three distinct eras: the horror and waste of World War I, and the poetry it gave rise to; the interwar years of “gay” society (and covert homosexuality); and finally the 1960s, where we see the elderly poet, played by Peter Capaldi, attempt

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  • The Doo Dah Man

    The film features some of the classic tropes of American cinema, most obviously from the road-trip movie and the ill-assorted buddy movie, but this familiarity belies a more substantial story about fathers and sons, as well as a deeper literary tradition that goes back to Mark Twain’s Huckleberry Finn. A young man, Jake (Brittain), leaves

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  • The Banshees of Inisherin

    The setting of the film is obviously meant to represent a larger canvas. Inisherin literally translates as Island of Ireland. But this may be just one of many misdirections by Martin McDonagh who gleefully toys with the tropes of Irish history. Far from being a parable about the distantly-heard Civil War, this is a more

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  • Eric Ravilious: Drawn to War

    Eric Ravilious, painter, illustrator and designer, came from a poor background but was taught by leading artists Paul Nash and Henry Moore. With his distinctive use of watercolour he created ethereally romantic landscapes of the British Isles.

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