Language: Italian

  • The Mafia Kills Only in Summer

    Putting an irreverent rom-com spin on the organized crime genre, this deceptively sunny rites-of-passage drama marks the big-screen debut of Pierfrancesco “Pif” Diliberto (b. 1972), best known in Italy as a television host and current-affairs satirist. Taking its title from one of the myths that the film’s young hero is taught to believe, The Mafia

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  • The Ciambra

    A moving crime-drama in the Italian neo-realist style written and directed by Jonas Carpignano. A 14 year old Romany boy moves between the Italian, African and Romany communities in a small town in Italy’s far south. He’s had to grow up fast and he’s learning to be one street-smart teenager, when adult responsibility falls on

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  • I Vitelloni

    With his third film, 33-year old Fellini made his name and found his voice: evolving from Italian Neo-Realism into a freer, more poetic and episodic style.The narrative is sprinkled with many of his recurrent motifs: variété and carneval; storms and windswept beaches, the Catholic Church; the happy fool and the wise child – all bound

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  • Nostalgia

    Nostalgia is based on a 2016 novel by Ermanno Rea, brought to the screen by the distinguished and prolific Italian auteur Mario Martone, who was born in Naples in 1959 and has since directed more than 30 films. Now a Rome resident, he was during the 1990s associated with the new wave of Neapolitan cinema

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  • La Chimera

    A haunting film, with a strong vein of anarchic comedy, about our connections to the past and how the living feed off the dead, financially and emotionally. It combines Italian neorealism and the Gothic in a manner distinctive of Alice Rohrwacher’s cinema.

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  • Vermiglio

    Everyday life in a remote Alpine village during WW2 is profoundly disrupted by the arrival of a Sicilian stranger.  This painterly rural drama from Maura Delpero won the Venice Silver Lion, and was Italy’s submission to the Academy Awards. 

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