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Breathless
A classic of the French New Wave, A Bout de Souffle (Breathless) was Godard’s debut feature film, a career breakthrough for Belmondo and a career recovery for Seberg after her travails in Otto Preminger’s Saint Joan and Bonjour Tristesse.
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Paris, 13th District
Émilie meets Camille, who is attracted to Nora, who crosses paths with Amber .
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The Worst Person in the World
Norway isn’t generally associated with romantic comedies, and the fact that the film features some genuinely upsetting moments for its characters might belie the categorisation, but Joachim Trier’s film delivers on the genre promise due to a sparkling performance by Renate Reinsve as Julie (echoes here of Strindberg’s Miss Julie), a character that at times…
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Parallel Mothers
In keeping with Pedro Almodovar’s more recent work, notably Julieta (2016) and Pain and Glory (2019), this is a film about the weight of the past and the need for forgiveness.
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Compartment No. 6
In the tradition of train films, which adds huit clos to the direction and serendipity of the road trip genre, Russian train films form class apart: claustrophobic quarters shared with a medley of imposed companions within; monotonous, unwelcoming taiga without; the tedious stasis of the long journey unalleviated by surly staff and bad food.
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Wild Men
Danish cinema is having a moment.
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Riders of Justice
A revenge thriller that combines deadpan humour and violence will inevitably evoke the Coen brothers, while the dynamic of a scarred older man and a young girl on a revenge mission has its precursors in films such as Kiss-Ass and Léon (that the young girl is also called Mathilde is surely no coincidence in a…
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Official Competition
Argentine directing duo Gaston Duprat and Mariano Cohn brings together two of Spain’s most famous actors: Penelope Cruz (Best Supporting Actress Oscar winner for Woody Allen’s Vicki Cristina Barcelona), plays indie darling director Lola Cuevas; Pedro Almodovar’s ‘male muse’, Antonio Banderas (Cannes Best Actor winner for Pain and Glory) the film star Felix Rivero.
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The Taste of Tea
The Taste of Tea has been referred to as a psychedelic version of Ingmar Bergman’s Fanny and Alexander, but this is to undersell the humour and warmth of Katsuhito Ishii’s tale of three generations of the Haruno family.
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Hit The Road
Debut writer/director Panah Panahi is inevitably described as ‘the son of Jafar Panahi’; he has acknowledged that fear of being compared to his famous father “completely paralysed me for years”.
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