Season: 2015-16

  • Tangerine

    An independent ground-breaking comedy-drama that proved a big hit at the Sundance Festival in 2015. Two transgender sex-workers in LA look for a pimp that did one of them wrong. The film was shot using 3 iPhone 5S smartphones instead of traditional cameras. The money saved on equipment was used to pay for locations and…

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  • Mandariinid

    An Estonian-Georgian co-production, Mandariniid (Estonia for tangerines) is set amidst the 1992–1993 War in Abkhazia as the conflict closes in on a tangerine farm in a now nearly depopulated ethnic Estonian village. The farmer simply wants to harvest his crop when two wounded soldiers – nominal enemies – appear on his doorstep. The film’s themes…

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  • A Pigeon Sat on a Branch Reflecting on Existence

    The story loosely follows two travelling novelty salesmen and their unsuccessful attempts to sell their vampire teeth, laughing bags and monster masks. But this is merely the framework for a series of absurdist tableaux that comment more generally on history and the human condition. “This is the third in what Andersson is now calling a…

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  • The Second Mother

    Val is housemaid to a wealthy Sao Paolo family. She mothers the son of the house more than her distracted employer. When Val’s aspirational daughter comes to stay, in order to apply for university in Sao Paolo, tensions emerge both between mother and daughter and between the pair of them and Val’s other “family”. An…

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  • Me and Earl and the Dying Girl

    High-schooler Greg is ordered by his parents to befriend a fellow student, Rachel, whom he knew as a child, who is now dying of cancer. This outline might sound conventional, even saccharine, and you might even expect the dying girl to survive, but the film is really about grief and how art is both a…

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  • Hugo and Josephine

    Josephine lives with her father, a priest, in an isolated spot. Hugo enters her life and together they spend the summer with the gardener finding fun. A gentle masterpiece re-released for new audiences. A film of deceptive simplicity and real beauty, outward and inward. New York Times. 3 major awards.

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  • The Assassin

    The film centres on Nie Yinniang, an assassin who is directed to slay corrupt government officials by her master, Jiaxin, a nun who raised her from the age of ten. When Yinniang displays mercy by failing to kill during her duties, Jiaxin punishes her with a ruthless assignment designed to test Yinniang’s resolve: she is…

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  • Youth

    Sorrentino’s follow up to The Great Beauty sees an ageing conductor with his old friend in an Alpine spa. Together they reflect on life while fending off an envoy from the Queen to stage a royal gala. “A beautiful ode to music and cinema. … There are elements of Fellini and Bill Forsyth’s Local Hero…

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  • Dheepan

    A Tamil fighter flees Sri Lanka claiming asylum with two strangers to create a family and ease the asylum process. But life in Paris is violent too – will old fighting ways become necessary to protect his new family? Dheepan is Jacques Audiard’s most Scorsese-like film, and all the better for it. It’s critical elevation…

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  • Victoria

    Shot in a snigle, continuous tahe, Victoria tells the tale of a Spanish woman, new to the city of Berlin, who meets two men at a club and gets mixed up in a bank robbery. There are echoes of the French New Wave in the premise, but the style of the film is much more…

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