Classification: 12A

  • Listen Up Philip

    Up and coming young New York novelist Philip (Rushmore’s Jason Schwartzman) suffers a crisis of confidence on the eve of the publication of his second novel. He finds solace in a burgeoning friendship with his Philip Roth-like hero, played by Jonathan Pryce (Ike Zimmerman – echoes of Roth’s alter ego, Nathan Zuckerman). This dry, misanthropic

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  • The Good Lie

    Based on a true story, three orphans flee war-torn Sudan and make the appalling journey to a Kenyan refugee centre. Jump ahead 13 years and Mamere, Jeremiah and Paul gain entry to the US. Enter Reese Witherspoon to play the brisk charity worker who helps them find employment and understand Western society. Happily this is

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  • Salt of the Earth

    Award-winning documentary of the 40 years of photographer Salgado’s immensely influential work.  With footage of the photographer himself and interviews with family and colleagues, the film presents his images which captured the changing face and impact of humanity as well as the planet’s beauty. ‘The Salt of the Earth is a visually stunning and oftentimes

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  • La Famille Belier

    A hearing girl lives with her deaf parents and brother on a farm where she acts as the family’s interpreter. They cannot appreciate her talent for singing, but she is encouraged by her local choir to pursue a career in it, which would mean moving to Paris and leaving her family. This coming-of-age drama proved

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  • A Pigeon Sat on a Branch Reflecting on Existence

    The story loosely follows two travelling novelty salesmen and their unsuccessful attempts to sell their vampire teeth, laughing bags and monster masks. But this is merely the framework for a series of absurdist tableaux that comment more generally on history and the human condition. “This is the third in what Andersson is now calling a

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  • Me and Earl and the Dying Girl

    High-schooler Greg is ordered by his parents to befriend a fellow student, Rachel, whom he knew as a child, who is now dying of cancer. This outline might sound conventional, even saccharine, and you might even expect the dying girl to survive, but the film is really about grief and how art is both a

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  • Embrace of the Serpent

    The film delivers a spellbinding vision of the Amazon which focuses on a shaman – the last of his people – and his relationship with two scientists who journey to the rainforest 40 years apart to find the sacred healing plant, the Yakruna. Based on a true story, the film depicts the ravages of colonialism

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  • Young Frankenstein

    Mel Brooks and Gene Wilder’s loving pastiche of the old Universal Studios series of monster movies, some of which was shot using the original Hollywood props from the 1930s. While the critics were often sniffy on its release, the film has gone on to be considered a classic in its own right, being recognised by

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  • Twenty Twenty-Four

    Gripping sci-fi thriller winning acclaim on the indie film circuit. A scientist anticipates nuclear disaster and holes up in a bunker. With just an intelligent computer for company, he begins to question his self-imposed isolation and whether he is really alone. Shot on location in Portsmouth, the cinematography and central performance are truly distinctive. 3

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  • A United Kingdom

    In this romantic drama set in post-war Britain and Bechuanaland (now Botswana), writer-director Amma Asante revives a long-forgotten chapter of Britain’s imperial history which still has resonance today. British-Nigerian actor David Oyelowo (whose stand-out performance as Martin Luther King in Selma was seen as having been undeservedly snubbed by the Academy in the ‘Oscars so

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