Classification: 12A

  • The Conversation

    The story of a surveillance expert facing a moral dilemma, The Conversation is considered the finest of the four great paranoia thrillers of the 1970s alongside All the President’s Men, The Parallax View and Three Days of the Condor. Ironically, it came to be seen as a lesser Coppola work, being overshadowed by The Godfather

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  • The Olive Tree

    Alma is very close to her grandfather although he has retreated into dementia. The family has sold of his beloved thousand-year-old olive tree, to pay his debt, but the loss of the tree has brought the grandfather into a depression. When her grandfather refuses to eat, Alma sets out to find the tree for him.

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  • Elle

    Based on Betty Blue author Philippe Dijan’s novel Oh, this controversial revenge melodrama is the first film in 10 years from Dutch director Paul Verhoeven (Basic Instinct, Starship Troopers, Total Recall, Robocop). Now in his late 70s, he retains his trademark blackly-comic, provocative approach to serious issues, in this case the effects of an attack

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  • Loving

    WFC marks Black History Month with this Oscar-nominated historical drama set during the American Civil Rights era, depicting the relationship of Richard and Mildred Loving and their landmark legal challenge to the State of Virginia’s prohibition of inter-racial marriage. Much of the script is transcribed verbatim from archive material. The film was inspired by Nancy

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  • The Salesman

    Renowned Iranian writer/director Asghar Farhadi’s films depict dramas in the lives of ordinary people that present a microcosm of modern Iran and its complexities, particularly in regard to class and gender, with middle-class marriage his signature theme. As a student Farhadi arrived in Tehran hoping to study cinema in college and was instead assigned to

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  • My Cousin Rachel

    Based on the famous 1951 novel by Daphne du Maurier (Rebecca, The Birds, Jamaica Inn), My Cousin Rachel tells the story of a young Englishman (Hunger Games’ Sam Claflin) who becomes involved with his older cousin’s widow, played by Rachel Weisz (who won an Oscar for her role in The Constant Gardener). Shot in England

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  • The Servant

    The first of three film collaborations with the American director Joseph Losey, Harold Pinter’s screenplay adapts a 1948 novel by Robin Maugham, pen name of the 2nd Viscount Maugham (1916–1981), the Eton-educated nephew of the novelist W. Somerset Maugham. Filmed in London during one of the coldest British winters on record, The Servant dissects the

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  • Things to Come

    Hansen-Løve says she wrote the role of Nathalie with Huppert in mind, while the character was inspired by her own mother, a professor of Philosophy. The film accords as much importance to silence as to words; to the poetry of landscapes – from low tide in Brittany to the peaks of Vercours – as to

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  • Lady Bird

    Does the world need another coming-of-age story with a mother/daughter conflict? – When the director and cast are this talented, the answer is yes. Saoirse Ronan (24), in the title role, made her searing debut in Atonement. Schoolmates are played by Lucas Hedges (21) and Timothée Chalamet (22), outstanding in Manchester by the Sea and

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  • Loving Vincent

    “We cannot speak other than by our paintings,” wrote Vincent van Gogh in the week before his death. This innovative biopic takes him at his word. Live actors mesh seamlessly with paintings in the style of the artist to illuminate the circumstances of his tragic demise. Reluctantly at first, the son of the local postman

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