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The Servant
The first of three film collaborations with the American director Joseph Losey, Harold Pinter’s screenplay adapts a 1948 novel by Robin Maugham, pen name of the 2nd Viscount Maugham (1916–1981), the Eton-educated nephew of the novelist W.
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Letters from Baghdad
Explorer and mountaineer, linguist and archaeologist, the Middle East expert Gertrude Bell was recruited by British military intelligence to help draw the borders of Iraq after WWI.
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Loving Vincent
“We cannot speak other than by our paintings,” wrote Vincent van Gogh in the week before his death.
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God’s Own Country
Seen by reviewers as one of the most exciting directorial debuts of the last ten years, the impact of this story comes not only from the fact that it’s about gay love, but from the beautifully observed growth of a relationship between the son of a Yorkshire farmer and a Romanian farm-worker.
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If….
British classic If.
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Phantom Thread
Daniel Day-Lewis doesn’t make many films, when he does you know it’s going to be special.
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Pin Cushion
There are excellent reasons for making a firm date for Pin Cushion: it’s a breakthrough film for director Deborah Haywood, Lily Newmark proves her star potential, plus it’s an excoriating dissection of social exclusion among adults and teenagers alike. Relevant, funny and unsettling.
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Film Stars Don’t Die in Liverpool
Touching biopic of Oscar-winning Gloria Grahame (Bening) and her relationship with Peter Turner (Bell), a struggling actor 28 years her junior.
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The Happy Prince
We find Oscar Wilde at the end of his life living among the demi-monde in Paris.
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The Ghoul
As a detective, Chris, (Meeten) investigates a double murder, the case begins to indicate the best way to follow up leads is to go undercover as a patient seeking psychotherapy for depression.










