Country: UK

  • Funny Cow

    Watch one our top screen talents in action, supported by cast of household-name actors in this Loach-influenced gritty Brit film. Maxine Peake excels as Funny Cow, a stand-up comedian trying to break into the 70’s northern comedy circuit against fierce male resistance. What’s the motivation? She’s wants to exorcise some personal demons, using her experiences

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  • Jellyfish

    Life is tough for 15 year-old Sarah, (Liv Hill in a terrific performance), mum is a bipolar, younger twin sisters are a handful and no one else is trying to hold things together. Sarah needs to earn money so there’s not much time for friendships at school. What if she could start earning money in

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  • Red Joan

    A film of non-linear story-telling as pensioner Joan (Judi Dench) remembers her time at Cambridge, its communist circles that drew her in and what followed. Could this unassuming old lady have been a spy sending classified information to the Soviet Union? Red Joan wonderfully realises 1930s Cambridge and Britain at war, while Sophie Cookson’s shy,

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  • Pond Life

    Entrancing 1990s coming of age drama adapted by Richard Cameron from his own play, follows a group of young people (Trevor (Tom Varey), Pogo (Esme Creed-Miles) and Malcolm (Angus Imrie) over one summer as a legendary carp focuses their attention in a South Yorkshire mining village. Riveting realism & poetry enhanced by Richard Hawley’s haunting

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  • Vita and Virginia

    Fascinating period drama/biopic from director Chanya Button (Burn,Burn,Burn) that brings a modern sensibility and excellent soundtrack to the relationship between aristocrat and author Vita Sackville-West (the versatile Gemma Arterton, Their Finest, Gemma Bovery) and literary icon Virginia Woolf (Elizabeth Debicki, hotfoot from Widows). The film charts the relationship’s impact on Woolf’s landmark work Orlando. Drawing

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  • Saturday Night and Sunday Morning

    Nottingham writer Alan Sillitoe’s adaptation of his own novel is widely considered to be the most convincing of the British ‘angry young men’ dramas of the late Fifties/early Sixties. Middle-class Czech émigré and former documentary-maker Karel Reisz, directing his debut feature film on location in Nottingham and at Twickenham Studios, created an authentic atmosphere for

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  • The Ritual

    Four thirty-something university friends reunite for a hiking trip through the forests of north Sweden. Adapted by Joe Barton from the 2011 award-winning novel of the same name by British author Adam Nevill, this indy chiller is the first solo directing feature from American director David Bruckner. It stars Rafe Spall (son of Timothy), whose

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  • Get Carter

    A low-budget, British crime thriller that has become a cult classic.

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  • For Sama

    Waad Al-Kateab started filming as a “citizen journalist” for Channel 4 News and won awards for her contribution to the series “Inside Aleppo.” (online at http://www.insidealeppo.com/ ) The 21-year old economics student first used a mobile phone, graduated to a camera and occasionally borrowed a drone. Friends’ amusement at her preoccupation changed when one of

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  • Bait

    Named by critic Mark Kermode as the best film of the last decade and holder of the record of most ever votes received in a WFC Members’ Choice vote, this quirky drama wowed critics who hailed it as an instant masterpiece. The culture / class clash between locals and well-heeled outsiders forms the heart of

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